The Counterfeiters is a German film directed by Stefan Ruzowitzky. The tells the story of Salomon “Sally” Sorowitsch, a master counterfeiter at the height of his career in 1936 Berlin. Sorowitsch enjoys the proceeds of his crimes: money, women, champaign Champagne. He has no interest in the plight of his fellow Jews and is not bothered by the ordinary anti-semitism displayed by ordinary Germans. He even states that the Jews get persecuted because they don’t know how to adapt.
Then, his luck runs out. He gets busted by Superintendent Friedrich Herzog. He gets deported to the Austrian concentration camp of Mauthausen, famous for his deadly quarry(I have visited it, I have seen the barrack and I walked down to the quarry, still to this day, it is oppressive). Sally does what he does best: adapt.
His drawing / painting talents flatter the arrogance of his guards and he gets privileges (mostly food) for his portraits of the guards, officers and their families. Then, he and other men with specific talents are transferred to Sachsenhausen camp where Herzog is running “Operation Bernhard” (see this book for the actual story), a massive counterfeiting operation designed to flood the British economy with fake Sterling Pounds and later do the same with fake dollars to the American economy.
The team of counterfeiters is made of Jews, all related to the financial and printing trade. In return for the use of their skills for the benefit of the Reich, they are well fed, get to shower once a week, get to rest during the weekend and get to sleep in beds with sheets. And they are segregated from the rest of the camp so that they don’t get bothered by what goes on on the outside of their closed compound.
Then, of course, comes the moral dilemma at the heart of the film. Sorowitsch adapts: he agrees to supervise the production of fake Sterling pounds. His rationale is to make the best of a bad situation. At least, he thinks, he’ll survive the war. On the other hand, another inmate, Adolf Burger, who left his wife behind in Auschwitz, is determined to sabotage the effort. He is willing to die for it, he is willing to sacrifice the whole barrack for it. Sorowitsch is more on the Adam Smith side: his selfishness is helping them all. Between these two positions, the other inmates represent all the moral shades of grey.
Sorowitsch is not an entirely bad guy. He befriends a young Russian artist, Kolya, who’s lost in the concentration hell and suffers from TB. But ultimately, he plans on surviving this. That is his main motivation, even if it means tolerating dreadful humiliations from the camp guards and occasional reminder from Herzog that he’s nothing but a Jew who can be killed at any time. Everything else is secondary.
It is indeed an interesting choice to make him the main character because he is not a (morally) attractive guy. Certainly, Adolf Burger is more heroic and attractive (good looks help too). Before being deported, Burger, a printer, and his wife printed anti-Nazi flyers. What matters to him is the truth and loyalty to the other prisoners (the ones outside the compound, forced to participate in the “shoe-testing”… watch the film and you’ll figure out what that is). And he refuses to help the prolong the war by funding the Nazis.
Ultimately, both men survive. But yet again, Sorowitsch adapts and manages to make it out of Sachsenhausen with piles of fake dollars they had finally managed to produce (but not enough for any economic impact). You have to watch the film to see what he does with the money and whether his life strategy is ultimately a satisfying one.
It’s a great film.








Front page
oops spelling
Either you mean champagne, or ?Champaign-Urbana?
Shame on me for misspelling a French word!
It’s champagne of course.
This Is Why I Stick to Boring Politics
I watch films like Forgetting Sarah Marshall. I’m too shallow to blog about culture. I could however give you a kick ass run down of the psychological underpinnngs of relationships between characters on 1980s General Hospital.
I'm more
a Santa Barbara kinda gal, BDB… that was a soap truly made for Europeans!
And from reading your comments here and at TL, you’re anything but shallow, sister!
FD, I added a break
Further down in your post. The image was spilling over into the previous post on my small screen. Hope you don’t mind.
No problem, Shystee
Thanks for doing that
Laura!
The hottest babe in soap opera history.
I was in the Army in Germany in 1980 and guys were sitting in the breakroom everyday watching GH and the misadventures of Luke and Laura.
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“A true friend stabs you from the front” -Oscar Wilde
Luke and Laura... ewww
the gal falling in love with her rapist… yeesh… (I think BDB surreptitiously hijacked my high-minded post and dragged us into a soap discussion!
I Like Bringing Everyone Down to My Level!
I was always a Quartermaine person myself.
But back to the post - when you say it’s a great film do you mean “it really makes you think about life and love and morality, yada, yada, yada” or “it’s incredibly entertaining.”
I told you I’m shallow.
There isn't much love in that film
but it really does make you think of morality when all the options are basically immoral and there is nothing really that can be done about the context that creates these bad options (now I feel back to high-minded!)
Entertaining… yes in the sense that it’s not boring, but not in the “Oh goody… I don’t need to use my brain cells” kinda entertaining.
that was gigantic!
my whole highschool was watching all of that and talking about it endlessly—seriously— everyone.
: >
Maybe we need
An 80s soap open thread… that should relax everybody from this exhausting week of campaign!
GH was the only one
that ever counted—it was on at 3 (so students watched it too), and had the most excitement and over-the-topness—and Liz Taylor, and Demi Moore and that woman from Northern Exposure too…
(actually now there’s great things in soaps too, i hear—a gay male storyline on one, and Susan Lucci has a lesbian daughter too)
I think the entire country was watching GH back then tho—it really was enormous.
I Am Just the Person To Put Together That Post
Finally, something I’m an expert on! And much better than hijacking Frenchdoc’s thread about what sounds like an interesting and compelling movie.
Although RL calls tonight, so it may have to wait until tomorrow. But I promise cheesy videos!
There are no great things in soaps these days. Nobody knows what makes a good soap opera and ABC has descended into misogyny and crap. When you rape your first lesbian to desexualize her and give her a baby, you’re not exactly on the right side of “cutting edge.”
Has Ruzowitsky Done Other Films?
And is he German? I always find it interesting that some of the more compelling stuff about WWII comes from German filmmakers. We did a lot right in that country’s reconstruction.
the film
sounds really interesting.
I can’t wait for Blindness (it’s at Cannes now)—the book by Saramago was just stunning. It’s also all about morals and society and the choices individuals make when things aren’t good or change suddenly.
subsidies,
and a protective attitude toward their own industry,i think is why—each non-English country is willing to pay to keep their business alive and growing, and also has restrictions on how many foreign (American) ones are allowed in theaters and stuff.
There are amazing European films every year lately—i’m thinking the EU is helping too—even beyond individual countries.
ME TOO!!
And the Director is Fernando Meirelles, the awesome director of the magnificent City of God!
Well then, let me recommend
other good German films:
Good Bye Lenin
The Lives of Others
Now can I be declared the Official Corrente Movie Critic??? Please Please Please!!!
i think it's gonna be great,
but it’s a downer, so they prob won’t distribute it or push it much.
(like Children of Men maybe—another strong and stunning sleeper)
Oh, man, I hated that one!
But then, I don’t like babies and kids, so, the crux of the film was lost on me! ;-)
But you’re right, Amberglow, it was boring. And they killed Julianne Moore (one of my favorite actresses with sometimes lousy choice of film *cough* freedomland *cough*) very early on.
you can!
don’t forget Run Lola Run, Wings of Desire, Das Boot— and all of Fritz Lang…
Tsk tsk, Amberglow
It’s “YES YOU CAN”! :-)
And Metropolis still rocks! (I never forgave Giorgio Moroder for the disco music version… what an atrocity!)
that really was--
(i still love this: “Between the hands and the head must be the heart”, or however it goes) : >
Things to Come is another fav of mine along those lines.
you reminded me too—i saw the Pet Shop Boys do Battleship Potemkin in London when i was there—it was just awful—really really disappointing.
Let's all enjoy
Metropolis - Freddie Mercury “Love Kills”
And with this, this thread is officially FUBAR! :-)
i love Owens--
mmmm! ; >
Julianne Moore is only good depending on which director it is, i think. She comes off as cold (visually and personality-wise) unless they’re really careful with her, i find.
I thought Children of Men was good (the story itself is wonderful), but edited weirdly (or choppy or something or they cut out too much or didn’t have enough budget or something)—kinda like how they ruined Handmaid’s Tale.
Owens is hot
but I got annoyed with the shoes storyline (WTF
??)
and don’t get me started on Handmaid Tale… yuck.
I think Julianne Moore does not choose her films very well.
they did that?!?
ugh!
i haven’t watched a soap since dipping into that Nanny and the Professor/ventriloquist dummy thing that used to be on.
OMG... wasn't that in the 50s?? ;-)
No wonder you support Hillary!!! (runs and hides)
Michael Caine
is amazing in it tho—i usually find him annoying—but not in Children of Men. And the whole refugee camp/city part was done really really well too.
too much competition
for too few roles, i think—on the mainstreamish side, there are tons and tons of good actresses around her age—Laura Linney, Ashley Judd, Diane Lane, Naomi Watts, Marcia Gay Harden, etc …even Julia Roberts and Halle Berry.
and on the indy/quirky side, there are the brits and others—Tilda, Lili whatsherface, Parker Posey, etc…
tons of actresses and not many roles.
it was a soap thing
that i’m talking about…kinda recently too—she was a witch or something, and the dummy came alive every once in a while.
Nanny and the Professor was late60s-early70s—i loved it! I wanted a Nanny—and i can still sing the theme song! : >
—and she married Maxwell Caulfield— http://www.jamd.com/search?assettype=g&a…
I hate the highbrow shit
Opera and the rest.
My theory is nobody really likes it but they think they have to pretend to like it because the “creative types” do.
I say fuck that, fart jokes an bathroom humor are where its at.
Mel Brooks is God
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“A true friend stabs you from the front” -Oscar Wilde
i'm that way with Dance--
i think Opera can be ok if the theatrical elements are done well—but i’ve seen only a few, and most of those on tv…
There are some surprisingly good recent ones too, i hear—i saw one on tv that was set in an airport waiting room that was just amazing —Flight, by Jonathan Dove. — http://www.musicweb-international.com/cl…
You are talking about Passions
And yea, I watched it for awhile, then it just got too weird. It came on after Days, and that was during the Hope/Gina storyline, which drew me in for some odd reason.
Bill Clinton for First Dude!!!
I Like Opera
if it has subtitles so I understand it. I once got to watch the Washington Opera from the President’s box at the Kennedy Center. The President wasn’t there, but at intermission I got a box of Bill Clinton M&Ms! If you are ever in Vienna, you absolutely must go to the Opera. The orchestra that plays for it is among the best in the world. Fantastic.
But I don’t understand dance and am more than likely to sleep through it than anything else.
ahh...
it got tons of press, otherwise i wouldn’t have heard—it was really really weird from what i saw.
Have you seen
Bob Saget’s newest stand up show, it was on HBO.
This ain’t Danny Tanner! It was hilarious, he really pushed the envelope, though some times he went a little too deep into the gutter, I guess to prove he’s not really Danny Tanner. Here’s a clip. It touches on his bit part in Half Baked, and him and Jesse Stamos fuckin with fans.
Bill Clinton for First Dude!!!
I went to the Vienna Opera
This one always gives me goosebumps:
it's always fun
when goody-goody tv people actually aren’t. : >
Pee Wee Herman's original act was NSFW
He really hated having a “kids show.”
Kurt Cobain killed himself when he became a commerical success too.
Life is a funny mofo sometimes.
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“A true friend stabs you from the front” -Oscar Wilde
This thread is
all over the place!
Everybody has a freak flag.
Some people just don’t fly it in public.
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“A true friend stabs you from the front” -Oscar Wilde
It's a Friday (alcohol enhanced) thread
Are you old enough to drink beer, young lady?
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“A true friend stabs you from the front” -Oscar Wilde
HELL YEAH!
and I’m French, we’re allowed alcohol from the day we’re born! :-)
Well then, try some ethanol disguised as fruit juice
I promise I’ll be disrespectable in the morning.
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“A true friend stabs you from the front” -Oscar Wilde
How Can I Resist You
When you talk like that… you forgot to put “sweetie” at the end though! ;-)
Most women find a way
Seriously, this election campaign has made me ashamed to have a “Y” chromosome.
I thought I was a un-pc sexist pig, but I owe my mom an apology on behalf of men.
I have never been so impressed with a political candidate as I am with Hillary Clinton.
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“A true friend stabs you from the front” -Oscar Wilde
When this is over,
I think all of us progressives need a timeout to reflect on this whole primary experience and what it revealed to us!
parley vou hubba hubba
:-P
http://www.youtube.com/watch?v=V4M-RvNLH…
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“A true friend stabs you from the front” -Oscar Wilde
That does it!
You’re off the booze for tonight, young man!
*takes bottle(s) away from Myiq*
There is a time and place for flirting and double entendres
And there are times when it is inappropriate.
Big O doesn’t seen to know the difference.
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“A true friend stabs you from the front” -Oscar Wilde